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2022

Новости за 01.08.2022

The Unabashed Spectacle of “P-Valley”

The New Yorker 

The Starz drama, set at a Mississippi strip club, skillfully meditates on colorism, land restitution, domestic violence, and the business of sex—and now, in Season 2, COVID.



How Universal Are Our Emotions?

The New Yorker 

Psychologists have argued that affect is profoundly shaped by culture. They shouldn’t feel so confident.

Briefly Noted Book Reviews

The New Yorker 

“The Last Resort,” “Brown Neon,” “Girls They Write Songs About,” and “An Honest Living.”

How Salman Toor Left the Old Masters Behind

The New Yorker 

The Pakistani American painter was inspired by Renaissance art, but his work took a powerful turn after he began to experiment with images of his friends.

“I Am Simon Armitage”

The New Yorker 

Poetry by Simon Armitage: “I am / Aiming Maestro, / Airiest Gammon.”

When New York Ruled the World

The New Yorker 

A spectacular show of art and documentation at the Jewish Museum captures New York in 1962-64, an era of near-weekly advances in all of the arts.

Calling All Cute Guys!

The New Yorker 

Shouts & Murmurs by Jenny Allen: I’m ready for a new relationship. Don’t mind the potato chips on your side of the bed. Or my mindful tap-dancing practice. Or the cat, who will beat you in Scrabble.

“A Duet,” by Ian McEwan

The New Yorker 

“Now the idea of a sexual encounter rose on the horizon like a mountain range, beautiful, dangerous, irresistible.”





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