Perhaps the most common criticism aimed at Christopher Nolan’s filmmaking isn’t the silliness of his storytelling, his boyish worldview, or his over-aggressive faith towards the captured image; it’s that the audience can’t hear a thing the characters are saying. Characters don’t just conceal their faces with masks, but their voices. Tom Hardy’s roles as the big baddy Bane in The Dark Knight Rises and the doomed Spitfire pilot in Dunkirk are the most cited examples, where his voice squeaks through... Читать дальше...