Benito Zambrano’s “Jumping the Fence” joins Roya Sadat’s “Sima’s Song,” and Pau Calpe’s “Werewolf” in the lineup of Spanish Screenings Goes to Cannes, a selection of five pix in post which underscores the ever broadening compass – in genre, setting, protagonists, production bases and models – of film production in Spain. “Sima’s Song,” for example, is set […]
