The Biggest Problem With ‘Oppenheimer’: Everyone Is Too Damn Sexy

Scientific grunt work doesn’t render very well on the silver screen. But neither do most jobs, or for that matter, most people. When it comes to theoretical physicists and aesthetic appeal, it’s best to channel quantum mechanics and suspend your disbelief.

Enter Oppenheimer, where Brigadier General Matt Damon says things like, “This is the most important thing to ever happen in the history of the world!” And, “We’ve given them an ace. It’s up to them to play the hand.” No doubt these sentiments were actually delivered as 700-page memorandums, Pendaflex-foldered and date-stamped. But this is Hollywood we’re talking about. You’ll find little in the way of stationery here, at least not on screen. And when the occasional differential equation rolls into frame, writer/director Christopher Nolan cuts smartly away before the audience might nod off.

To Nolan’s credit, Oppenheimer is a terrifically researched film. But it’s a film nonetheless, and translating sprawling, decades-long military sagas via camera necessitates shortcuts. I’m not a vetted expert on nuclear history but I’ve dabbled, having acted as research assistant for a 2020 treatise on plutonium production. This is to say that I’m familiar with the players.

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