Łaszewo brings controlled chaos and community to the Regency Ballroom
Pronounced “LAH-zay-woah,” Łaszewo is not a name many get right on the first try — and the musical trio knows it. Midway through their sold-out set at the Regency Ballroom in San Francisco on Sept. 12, a cheeky remark flashed on the backdrop: “We don’t know how to pronounce it either.”
For the uninitiated, Łaszewo are the DJ group behind viral EDM remixes like “Messy” and “Highjack,” tracks that bounce around TikTok feeds and late-night playlists alike. Yet for a Santa Barbara–based trio still early in their career, they already feel like a force.
The night began with two DJ openers Conrad. and me n ü., both of whom didn’t just warm up the crowd, but ignited it. Conrad’s set was tight and energetic, full of high-tempo tracks that got people moving immediately. Then, me n ü followed, bringing infectious enthusiasm and stage presence that enlivened the audience even before the headliners arrived. By the time Łaszewo took the stage, 1500 fans in the Regency Ballroom were primed, buzzing with anticipation for a night of controlled chaos.
At precisely 10:30 p.m., members Matt Ehrlich and Justin De La Fuente stepped behind the decks, opening with a few instrumental beats before sliding into the intro of “3am.” Keeva (“Kiki”) Bouley soon joined them onstage, her vocals elevating the set from a traditional DJ show to a hybrid live performance. Her first appearance was followed by a heavy, unexpected dubstep drop that jolted the room into the euphoric chaos Łaszewo is known for.
The set flowed from number to number, characterized by unpredictability and energy. “Up in Flames,” Łaszewo’s first ever release, was remixed live with the late 2000s hit “Shooting Stars,” bridging nostalgia and innovation — a signature Łaszewo flourish that elevated the dancefloor. Combining vastly different keys and tempos, a daring mix of “Safe and Sound” and “Island in the Sun” surprised everyone in the room — it was the kind of mix you can’t imagine until you’ve heard it. The AVELLO remix of “No Broke Boys” arrived next, accompanied by a brief missed smoke cue — but Ehrlich and De La Fuente recovered in style, jumping onstage mid-chorus to rally the crowd.
Kiki returned for slower moments like “I Wanna Live,” giving the audience a chance to sway and breathe between high-octane remixes. Łaszewo teased fans with “unreleased” tracks, remixed favorites by DJ artist Flume, and even delivered older pop hits like “Since U Been Gone.” They looped back to “3am” for a dubstep mix, then spun “Highjack” with an A$AP Rocky infusion that kept the energy soaring. One of the night’s standout moments was “Til U Hate Me” seamlessly blended with “Midnight City,” a crossover that blended 80s synth-pop and dream-pop — and as with “Up In Flames” and “Shooting Stars,” the crossover both evoked the past and felt forward-looking.
Throughout the night, Łaszewo’s connection with the crowd never faltered. The trio’s signature “family photo” with the audience (plus the sight of Ehrlich’s parents cheering from the front row) created a tangible sense of intimacy amid the chaos. Their remixes did more than entertain — they connected. Empire of the Sun’s “We Are the People,” featured a cathartic chant — “Are you gonna leave me now? Can’t you be believing now?” — after which the crowd erupted into an ecstatic roar.
To close the evening, they performed their most recently released single, “Collide.” Here, Kiki’s voice truly shined, angelic over the pulsing beats. Then in a move that left the room buzzing, they stayed to meet every fan, posing for photos and taking the time to connect personally — a touching reminder of how grounded the trio remains despite their growing momentum.
This show was the second of two sold-out nights at the Regency Ballroom, testifying to Łaszewo’s rising popularity. The trio’s chaotic energy, playful imperfection and genuine fan engagement make for an EDM experience that stands out. For anyone who hasn’t yet experienced them live, don’t be surprised if Łaszewo ends up headlining EDC or Ultra one day. As for me, this show ranks among the very best EDM performances I’ve witnessed in recent history — an exhilarating and utterly unforgettable night.
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