Two weddings, held in relatively quick succession, encapsulate the social, economic and generational tensions driving “We Are All Strangers.” The first, between two bright-eyed only-just-adults, is an expensively aspirational, Instagram-tailored affair at a five-star Singapore hotel, complete with choreographed dance routines and an eye-watering champagne bill. The second, between two middle-aged people seeking a second […]
