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2017

Новости за 06.02.2017

C&L's Late Night Music Club With Mel & Tim

Crooks and Liars  

One of the biggest sporting events in the world was TV today.

I'm talking about the Puppy Bowl, of course.

What are you listening to tonight?

Just So You’ll Know

The New Yorker 

Listen to it the way everybodyhere was naughty today,of how broad it is.

Trump’s Budget Bluff

The New Yorker 

President Trump’s executive order on immigration overshadowed almost everything else in the first week of his tenure. But tactically the order has a lot in common with more day-to-day policies, especially his plan to slash federal spending. Both rely on scapegoats (immigrants, on the one hand; on the other, things like foreign aid and legal assistance for the poor). Both cater to the misconceptions of Trump’s base: no fatal terrorist attack here has involved anyone from the seven countries covered by the executive order... Читать дальше...

The Enigmatic Art of Raymond Pettibon

The New Yorker 

The enigmatic, fantastically erudite artist Raymond Pettibon takes to Twitter like a bird to sky. My favorite of some fifty tweets that he posted on a recent day offers a reason that Donald Trump can’t be the Antichrist: “Not charming, goodlooking, endearing enuff.” In his art, Pettibon only sometimes addresses topical politics, or topical anything, but he knows his archetypes, and it’s nice to have eschatological expertise on current events. How seriously to take it is an uncertainty that haunts all of Pettibon’s art... Читать дальше...

George Saunders Gets Inside Lincoln’s Head

The New Yorker 

Seekers of Presidential frisson cherish the synchronous deaths of Thomas Jefferson and John Adams, on July 4, 1826, a temporal thrill doubled by the date’s being the fiftieth anniversary of the adoption of the Declaration of Independence. Another eerie conjunction belongs to February 20th, which delivered to the White House, on two occurrences a century apart, some of the keenest joy and deepest sorrow to enter the building.



Is This Hygge?

The New Yorker 

Hygge . . . is the Danish word for cozy. It is also a national manifesto, nay, an obsession expressed in the constant pursuit of homespun pleasures.

The Absorbing Nightmare of “Legion” 

The New Yorker 

Noah Hawley’s “Legion,” on FX, the latest Marvel production based on the X-Men, has an aesthetic that might be described as caustic whimsy. It’s a sleek, stylized diorama of alarming imagery, as much about fear orange and misery avocado and rage yellow as it is about anything else. You don’t actually have to understand much about the X-Men to enjoy watching it.

Becoming an American Under Trump

The New Yorker 

One of the many organizations thrown into chaos last week because of the Trump Administration’s travel ban was the Arab-American Family Support Center, in Brooklyn. “It’s been incredibly hectic,” Ambreen Qureshi, the center’s deputy executive director, said recently. Her office had been inundated with stories of anti-Muslim harassment and travel emergencies. “A lot of anxiety, a lot of worry, stress, tension,” she said.

Refugees in America

The New Yorker 

Consider the distinctions between the words “expat,” “immigrant,” “refugee.” “Expat” suggests a cosmopolitan spirit and resources that allow mobility; to be an “immigrant” suggests some measure of need. A “refugee” is, by definition, desperate: he has been displaced from his home, has been rendered stateless, has few or no resources. The expat retains an identity as he retains his citizenship, his privileges; the refugee loses his identity amid the anonymity of many others like him. In the way... Читать дальше...

Briefly Noted

The New Yorker 

Rumi’s Secret, by Brad Gooch (Harper). Rumi, the great Persian poet, was a religious scholar in Anatolia when, in 1244, he encountered a man named Shams who recognized him as “a poet and a mystic, not a gatekeeper for rules.” Their friendship transformed Rumi’s life, and transports this biography into an exquisite, joyous realm. Shams, gruff and guileless, badgered Rumi into risking a more vulnerable approach to the concealed and inexpressible—that is, the essence of God and of love. Gooch narrates their friendship as a love story gone awry... Читать дальше...

Anthony Bourdain’s Moveable Feast

The New Yorker 

When the President of the United States travels outside the country, he brings his own car with him. Moments after Air Force One landed at the Hanoi airport last May, President Barack Obama ducked into an eighteen-foot, armor-plated limousine—a bomb shelter masquerading as a Cadillac—that was equipped with a secure link to the Pentagon and with emergency supplies of blood, and was known as the Beast. Hanoi’s broad avenues are crowded with honking cars, storefront venders, street peddlers, and some five million scooters and motorbikes... Читать дальше...

The Gelernt Siblings’ High-Profile Cases

The New Yorker 

Twenty years ago, when Michelle Gelernt was a rookie public defender, she would often meet her older brother, Lee, an A.C.L.U. attorney, at a Tribeca pub called Walker’s. “We’d work till 2 A.M. and then come here,” Michelle said one evening last week. They had a lot to catch up on. The Trump era, just eleven days old, had thrown the Gelernts into the highest-profile litigation of their careers. Michelle, who is now a federal defender, had spent Inauguration Day (a.k.a. the National Day of Patriotic Devotion) at Brooklyn’s federal courthouse... Читать дальше...

Promotion

The New Yorker 

Then the eveningand the morningwere the last day.

“A United Kingdom” and “Land of Mine”

The New Yorker 

Whoever loved that loved not at first sight? For Ruth Williams (Rosamund Pike) and Seretse Khama (David Oyelowo), the sighting occurs in London, in 1947. Near the start of “A United Kingdom,” which is based on a true story, they meet at a Missionary Society dance, an event not easily mistaken for the toga party in “National Lampoon’s Animal House.” Eyes lock, hearts stop, and soon—after a few decorous dates—Seretse is down on one knee, offering Ruth a ring and the prospect of a life together. “I don’t need to think about it,” she says... Читать дальше...

Capturing James Baldwin’s Legacy Onscreen

The New Yorker 

The movie moves, and James Baldwin moves in it. Sometimes he looks like a graceful queen, as he sits, poised, his back erect with grand indulgence or tolerance or love. His expressive hands cut through the air during this or that interview, speaking a wordless language of their own, as the former boy preacher from Harlem, small, dark, and compact, talks and talks about race, sounding like no one else on earth. It’s Baldwin’s voice—his luminescent words describing and analyzing dark matters—that ties together Raoul Peck’s latest film... Читать дальше...

Becoming Steve Bannon’s Bannon

The New Yorker 

There’s an old saw about Washington, D.C., that staffers in their twenties know more about the minutiae of government than their bosses do. Whether they wield real power is a different question. Julia Hahn, the twenty-five-year-old Breitbart News reporter who has just been named a special assistant to the President, could be a test case. Hahn is a protégée of Stephen Bannon, the White House chief strategist and former Breitbart chairman, who has been referred to as “Trump’s Rasputin.” (On Twitter... Читать дальше...

The Prairie Wife

The New Yorker 

The understanding is that, after Casey’s iPhone alarm goes off at 6:15 A.M., Kirsten wakes the boys, nudges them to get dressed, and herds them downstairs, all while Casey is showering. The four of them eat breakfast as a family, deal with teeth-brushing and backpacks, and Casey, who is the principal of the middle school in the same district as the elementary school Jack and Ian attend, drives the boys to drop-off. Kirsten then takes her shower in the newly quiet house before leaving for work.

The Mail

The New Yorker 

Apocalypse Now

The cowardice and the greed of most of the subjects in Evan Osnos’s article on the hyper-wealthy’s preparations for disaster and apocalypse scream out from the page (“Survival of the Richest,” January 30th). Where are the philanthropists and the large-minded benefactors? Eradicating diseases is great and eye-catching, but where is the concern for one’s own community? If today’s billionaires worked together to house the homeless or to guarantee a basic income for the less fortunate, the “revolution” wouldn’t be necessary. Читать дальше...

When Things Go Missing

The New Yorker 

A couple of years ago, I spent the summer in Portland, Oregon, losing things. I normally live on the East Coast, but that year, unable to face another sweltering August, I decided to temporarily decamp to the West. This turned out to be strangely easy. I’d lived in Portland for a while after college, and some acquaintances there needed a house sitter. Another friend was away for the summer and happy to loan me her pickup truck. Someone on Craigslist sold me a bike for next to nothing. In very short order... Читать дальше...

The Second Avenue Subway Is Here!

The New Yorker 

New Yorkers view their subway system with reproachful pride. We fixate on its virtues and faults, as though the subway lines were our children. We want so much for them, and yet they so often disappoint. When their latest report cards arrived, just after Christmas, the top grades went to the 1 line, the 7, and the L. The goats were the 5 and the A. The A train at least has an anthem, and the vestigial grandeur of connecting old Harlem to Bed-Stuy. The 5, ode-less, has passengers massed five deep on the platform... Читать дальше...

Lions of Los Angeles

The New Yorker 

It was drizzling and gray, late fall, on the old Rickards Movie Ranch, high in the Santa Monica Mountains, in rural, red-state western Malibu. Bleached skulls were tacked to the outside wall of a stage-set saloon; rusting wagon wheels leaned at angles. A hand-painted sign announced a “Public Hanging, 5PM.” Inside the saloon—the shooting location of TV Westerns and Gravy Train commercials and Playboy spreads—a secret meeting was under way.





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