All You Fascists Bound To Lose
We staggered through the darkest ever ostensible celebration of American independence mournfully grappling with what Rev. William Barber calls the "all-out attack on who we even claim we are trying to be." A tireless pillar of righteous rage, he takes a long, moral view and a tough, simple stand on fighting for our rights and moving forward from catastrophe: "All of us have to find our way together now." Hopefully, we'd add, with brass bands accompanying us.
The good Rev. Barber, of course, comes to the fight against fascism armed with far more moral clarity and fortitude than most of the rest of us. His battle, both "a moral rebellion against Trump’s America" and against a deeper, longtime "architecture of inequality" since Frederick Douglas asked, "What to the slave is the 4th of July?" confronts a politics wed to nationalism, capitalism, exploitation and, in an especially "unholy relationship," religion, even as masked goons disappear our neighbors.
For the rest of us, Barber's resolve to bear witness, to build "a memory that resists the lie," takes many other, often mundane forms. We blunder forward as best we can. We seek strength and solace in small joys - friends, dogs, gardens, nature and solidarity - increasingly, at protests around the country, with music, often tubas. Kurt Vonnegut, always wise, was on it: "If I should ever die, God forbid, let this be my epitaph: ‘The only proof he needed for the existence of God was music.'"
In St. Louis, the Funky Butt Band sang This Land Is Your Land. In Auburn CA, people sang Les Miserables' soaring Do You Hear the People Sing? In New York, the Street Beat Brass Band play; in Minneapolis, since George Floyd's murder, it's Brass Solidarity with This Little Light of Mine and I Wish I Knew How It Feels To Be Free. In Atlanta on No Kings Day, exuberant tubas drowned out the Proud Boys with Bella Ciao, a 19th-century Italian folk song turned anthem of freedom and resistance.
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In Somerville MA, the Good Trouble Brass Band has joined forces with the Boston Area Brigade of Activist Musicians (BABAM) for parades and protests in "a tradition of resilience and community" to contribute "something that is loud and joyful." And here in Portland ME we boast and love our Ideal Maine Social Aid & Sanctuary Band - "Easy tunes with friendly people" - a community activist, consensus-governed band in the New Orleans street band tradition spreading joy and advocacy since 2017.
They've played and marched at pride, homelessness, voting rights, abortion rights, Veterans for Peace events; at puppet slams, neighborhood gigs like Porchfest; a fabulous, four-tiered May Day gala; food coop, bike coalition, park conservancy parties; at a small, moving, buoyant Kneeling Photo Art Project - "We Kneel For An Equitable Future" - four years ago during a COVID winter, in their masks and down coats and sailor caps. Searing echoes of make love and music, not war and fascism.
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Entirely aptly, these messengers of hope, rage joy offer diverse music, from Civil Rights- era anthems to old folk faves to Brass Band classics. Adding some spice is feverish new entrant from left field, Boston's Celtic punk rock band Dropkick Murphys. Longtime, blue-collar supporters of workers' and veterans' rights, they've been bringing their furious energy to protests; says front man Ken Casey “I think everything we’ve been doing for the past 30 years was a kind of warm-up for the moment we’re in.”
The hardscrabble Casey - from a recent show: "This Magger guy in the audience was waving his fucking Trump hat in people’s faces, and I could just tell he wanted to enter into discourse with me...I’m not going to shut up, just out of spite” - was raised by his grandfather. His foundational lesson: "If I ever see you bullying someone, I’ll kick the shit out of you. And if I ever see you back down from a bully, I’ll kick the shit out of you." On July 4th, they released new album For the People. Its fiery first single, Who’ll Stand With Us? and a quick-cut, seething video are a gut-punch call-out against fascist scumbags and oligarchs, with all the fury the moment demands. Just whew. Onward, evidently.
Through crime and crusade
Our labor, it’s been stolen
We’ve been robbed of our freedom
We’ve been held down and beholden
To the bosses and bankers
Who never gave their share
Of any blood
Of any sweat
Of any tears
Who’ll stand with us?
Don’t tell us everything is fine
Who’ll stand with us?
Because this treatment is a crime
The working people fuel the engine
While you yank the chain
We fight the wars and build buildings
For someone else’s gain.
So tell me
Who will stand with us?
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