[...] Seiwert’s dancers inundate the stage with 25 minutes of non-stop action, patrons must content themselves with what looks like a fragment of a new ballet by company dancer Ben Needham-Wood, as well as revivals of Ma Cong’s cartoon-influenced “French Twist” and Michael Smuin’s bland romantic excursion, “Bouquet.”
Yet, wisely, she introduces the entire ensemble only twice, once near the beginning and at the very end, and on both occasions, there’s more going on than any single pair of eyes can catch. Читать дальше...