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Los Angeles Times (latimes.com)
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2018

Новости за 18.01.2018

'Humor Me,' starring Jemaine Clement and Elliott Gould, delivers heart and laughs

Los Angeles Times (latimes.com) 

“Humor Me” will humor you — and then some. It’s one of the best films of its kind, along with Albert Brooks’ “Mother” and “In Her Shoes,” in which a floundering adult gets back on track with help from a senior-age parent (or grandparent). If writer-director Sam Hoffman’s charming, well-performed...

Alex Lawther shines in flamboyant bullying drama 'Freak Show'

Los Angeles Times (latimes.com) 

Actress and producer Trudie Styler makes her feature directorial debut with the flamboyantly genderqueer “Freak Show,” an adaptation of the novel by the legendary club kid, writer and host James St. James. Scripted by Patrick J. Clifton and Beth Rigazio, the story puts a young adult spin on the...

Annie Ernaux caps a remarkable stretch of unorthodox memoirs with 'The Years'

Los Angeles Times (latimes.com) 

Annie Ernaux is ruthless. I mean that as a compliment. Perhaps no other memoirist — if, in fact, memoir-writing is what Ernaux is up to, which both is and isn’t the case — is so willing to interrogate not only the details of her life but also the slippery question of identity. Beginning with her...

'Dance Baby Dance' taps out predictable, poorly-made story

Los Angeles Times (latimes.com) 

Bad movies can inspire derision or disappointment, but indie comedy “Dance Baby Dance” mostly just evokes pity. Writer, director, producer and star Stephen Kogon is clearly trying his hardest to create an entertaining film fueled by a passion for tap dance, but what’s on screen demonstrates an...



Haunted house is the real star of tedious 'Delirium'

Los Angeles Times (latimes.com) 

The press-kit for the haunted house movie “Delirium” describes Oakland’s Dunsmuir-Hellman Historic Estate as the film’s “star,” which is pretty much true. The elegant 19th century mansion — previously seen in “Burnt Offerings,” “Phantasm,” and “So I Married an Axe Murderer” — looks like it was...

Guitarist Reinhardt biopic 'Django' hits some flat notes

Los Angeles Times (latimes.com) 

Did Belgian-born Gypsy musician Django Reinhardt need to be the most celebrated guitarist of his day to survive a Nazi regime hellbent on eradicating his kind? It’s an intriguing premise, but one only fitfully explored in Étienne Comar’s World War II-set biopic “Django,” about events surrounding...

Its pitch isn't perfect, but 'Step Sisters' delivers the beats (and some laughs)

Los Angeles Times (latimes.com) 

Made in the slightly melted mold of “Bring It On” and “Pitch Perfect,” this comedy brings a standard underdog story to the world of step dancing. Netflix’s almighty algorithm smartly calculated that “Step Sisters” is the type of movie that makes for good couch viewing, though it lacks the spark...

Whether populist theater or something even more nefarious, Trump's lies have consequences

Los Angeles Times (latimes.com) 

Ten months ago, The Times editorial board wrote that Donald Trump was encouraging Americans to disrespect science, to distrust the mainstream media and to reject facts. Were this to continue, we said, the result would be an increasingly divided country with too few shared assumptions, where ideological...

Laurie Simmons explores creative interactions with life in indie drama 'My Art'

Los Angeles Times (latimes.com) 

Like mother like daughter … or is it like daughter like mother? Lena Dunham was no doubt inspired by her photographer mom Laurie Simmons, and Simmons herself takes a page out of Dunham’s book with the film “My Art,” which she wrote, directed and stars in. Simmons plays Ellie, a New York City working...





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