Seun Kuti should have listened to his father
Fela Kuti’s 1976 album, Ikoyi Blindness, featured a track documenting an encounter within Nigerian social context where violence is trite. The song, Gba mi leti ki n dolowo (slap me make I get money), is an encounter between an “Oga,” the quintessential big man who personifies the impunity of power, and an unnamed person who
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