Analogue to iPad: how Frieze London has changed since 2003
It’s 20 years since the art fair opened its tent flaps. How much has changed?
It’s 20 years since the art fair opened its tent flaps. How much has changed?
Named Chomper for its well-preserved set of teeth, the skeleton was unearthed in Montana in 2019
Rembrandt is said to have created the painting of the blind Tobit, which is on sale for £24m, a year or two before his father died
Plus, an artist-filled prize ceremony in Piccadilly, Thom Browne at the V&A and an entry from the new ”undercover gallerist”
The initiative was created by the UK-based company Roxbox, which has developed a range of reusable shipping crates to tackle waste
The German-born artist’s retrospective at the Whitechapel Gallery captures her diverse influences
As London mayor Sadiq Khan launches a creativity campaign, he discusses the artists who have brought London to life and the importance of opening up creative education for all children
As London mayor Sadiq Khan launches a creativity campaign, he discusses the artists who have brought London to life and the importance of opening up creative education for all children
The international lawyer, who is a member of the Contemporary Art Society’s Frieze acquisitions committee, on her love of blue paintings—and Pimlico pastries
Everything you need to know about the artist’s market before you start building your collection
Sheikha Al-Mayassa shared images on social media of the Palestinian flag projected on the façades of the Museum of Islamic Art and the National Museum of Qatar
The Argentinian artist’s first public sculpture in New York will coincide with a survey at the Jewish Museum
With two shows coming up and auction prices on the rise, the US photographer is finally emerging from the shadows of her famous male associates
Primary-market sale proceeds should be held on trust so artists are never left out of pocket by a gallery's insolvency, writes IP and art lawyer Jon Sharples
EU project aims to find ways to arrest damage at numerous archaeological sites, from a 12th-century BC city in Greece eroded by rising sea levels to submerged prehistoric villages in a Swiss lake at risk from falling water levels
Coins, crockery and tools are among the objects unaccounted for but museum says "some losses are inevitable"
From Old Master portraits and grainy photographs to sculptures on chairs and naked performances
Is regulation a wonder drug for curing the art market of its chronic fraud problem? Our columnist explains why that thinking is a myth