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We were all in the dark, on the edge of the wooded park known as Wyman Dell, opposite the Baltimore Museum of Art. It was 2 a.m. Wednesday, and despite the presence of a couple of dozen workers in hardhats, a huge crane, a flatbed truck and a couple of other pieces of heavy machinery, the work site, surrounded by police tape, was remarkably still.
All of us — the workers, the cops, the mayor, scattered reporters and onlookers — watched the focus of the work, an imposing sculpture of Confederate Gens. Читать дальше...